Monday, April 8, 2019

S.O.V. The True Independents - Promo Trailer

Promo trailer for S.O.V. The True Independents featuring 36 interviews with S.O.V. pioneers and experts. Featuring Interviews With:

Andrea Adams, Brad Sykes, Chris LaMartina, Chris Mackey, Chris Seaver, Christopher Lewis, Darrin Ramage, David B. Stewart III, David C. Hayes, David Parker, Donald Farmer, Doug Matley, Ed Bishop, Gary P. Cohen, Gary Whitson, Greg Goodsill, Hugh Gallagher, Jason Paul Collum, Jay Woefel, Joe Sherlock, Joel D. Wynkoop, Johnny Dickie, Josh Schafer, Linda McGill, Mack Hail, Mark Polonia, Michael Raso, Paul Zamarelli, Richard Mogg, Ron Bonk, Ron Ford, Ronnie Sorter, Tim Boggs, Tim Ritter, Todd Jason Falcon Cook, William Hellfire

Tuesday, April 2, 2019

Zombraella's S.O.V. Theater - Horrorgirl (1995)

Zombraella's S.O.V. Theater - Horrorgirl (1995)
Zombarella takes a look at Raoul Vehill's 1995 Gothstravaganza HORRORGIRL! An S.O.V. horror rock movie starring the sultry Ghetty Chasun (Gorotica, Red Lips).

Also stick around after the credits for Zombarella's take on Todd Sheets classic S.O.V. theme for Prehistoric Bimbos In Armageddon City!


Monday, March 25, 2019

Review - Scarlet Fry's Junkfood Horrorfest (2007)

Scarlet Fry's Junkfood Horrorfest
Review By Dave Sloane

Junkfood Horrorfest is a horror anthology directed and hosted by the ghoulish zombie Scarlet Fry. The movie starts off with a Junkie (played by Alice Cooper's daughter) trying to score some junk from a local drug dealer. Instead of drugs he gives her a VHS tape which contains 6 fright tales hosted by the re-animated horror host Scarlet Fry.

The first tale Blood Thirsty Butcher is about a guy who's hungry, I mean really hungry. When he notices a new neighbor doing laundry alone he decides it's time for a little snack.

In the next tale The Solution a nurse is pushing a wheelchair bound invalid around in a park while a sniper takes aim from the bushes.

Griptape Spank focuses on a some skate punks who need some cash to score some weed. So they hook up with a gay guy who offers them some money if they spank his bare ass with their skateboards, as he really likes the coarse feeling of the griptape on his rump. After our lead punk is called gay by his friends (who also participated?) for the butt bashing he snaps and goes on a rampage.


In Wasted Life we get a guy in a bathtub (played by Fry) slitting his wrists.

In The Devil Made Me Do It a girl is trying to get out of a relationship with her violent satanic boyfriend. She shoots him, and you guessed it he comes back from the dead to exact his bloody revenge.

In the final story Love Is Blind a girl tells her boyfriend that she is pregnant and he doesn't react very kindly to the news. So what's a disgruntled pregnant girl to do? Well tie him up for some sick sadistic bondage.


The main issue with Junkfood Horrorfest as you may be able to tell from my brief synopsis above is the tales do not come off as complete well rounded stories. Instead they play like a series of short vignettes were something gruesome happens and then it's over and on to the next tale. There is no real story arch to most of the tales and no fun twist endings as seen in most horror anthologies.

I usually don't like to give spoilers in my reviews but to illustrate my point let's take a closer look at one of the weakest entries in the movie and break down it's plot.


In The Solution a nurse is pushing an invalid around in a park in his wheelchair. They stop and she feeds him some yogurt that he spits up and then a sniper shoots him. The nurse then meets the sniper in his car and the two drive off. That's it, no story, no real characters or character development, just a moment of something happening and then the tale stalls to a close. This is pretty much how most of the stories play which is rather unfortunate.

A couple of tales (Griptake Spank and Love Is Blind) try to have a little more substance and plot but overall are kind of letdowns.

Griptake Spank in particular comes off very mean spirited with it's farcical depiction of homosexuals and anti-gay sentiment of it's characters. It does manage to have a beginning, middle and end though unlike the other tales so it does gets some points for that.


Love Is Blind was probably the best of the stories but the main character is so unlikable you don't get why any girl would be pining for his affection, even if she was pregnant with his baby. The "twist" at the end comes off as just an excuse for a violent set piece that makes little sense in the context of the story and just seems out of place.

As for the horror host aspect of the movie it really doesn't add much to the proceedings other than to pad out the runtime. Scarlet Fry isn't horrible as a host but isn't great either, he's just kinda there.

Overall watching Junkfood Horrorfest is like going out to a four course meal and the waiter only brings you the appetizer. It has a few tasty moments but keeps you waiting for that main course that never arrives.

Tuesday, March 19, 2019

Episode 11 - Analog Nightmares - An Interview With Richard Mogg

https://youtu.be/H1ifm_PEe-4
EPISODE 11 ANALOG NIGHTMARES
AN INTERVIEW WITH RICHARD MOGG


This episode we take an inside look at Richard Mogg's great book about our favorite genre ANALOG NIGHTMARES.

Purchase Analog Nightmares




Wednesday, March 13, 2019

Review - Hallucinations (1986)

Hallucinations (1986)
Review By Matt Watts


Three brothers (two maternal, one step) find themselves home alone for a weekend when their mother has to work a double shift. After one brother, who is of a... diminished mental capacity, has a chance encounter with a neighboring monk (You read that right), the boys each begin to experience strange dreams, until their nightmares converge and spill over into reality. Will the brothers be able to band together and survive the horror, or will they succumb to their HALLUCINATIONS?

Hallucinations is a special movie. Part adolescent slumber party time capsule, part maddening fever dream, and one hundred percent no budget cinematic bliss. This is the Polonia Brothers’ first completed feature, as the preceding Church of the Damned had been left unfinished, and its superiority to it is apparent. Something frequently mentioned about their more notorious film, Splatter Farm, is its lack of adult characters, which adds to its uncomfortable, raw authenticity, and that same characteristic is found in Hallucinations. This is a movie made by three teenage boys, and, as such, their portrayal of said characters is entirely authentic. Of course, Mark and John have no problem being relatable siblings on camera, and Todd Michael Smith does well playing the slightly older, perhaps a little cooler step brother, looking down on the slow Mark while perceiving John as more of an equal.


In true Polonia form, the boys’ believable performances soon play second fiddle to the onslaught of surreal, watery gore and multiple puppet/creature attacks. Individually, Mark battles a possessed Christmas elf, Todd wrestles with a microwaved fetus, and perhaps most memorably, John grapples with a dryer hose worm creature while stark naked in the shower. That creature may be the least effective prop in and of itself, but its creepy, slow motion shower attack definitely burns an image in your mind. Surely, in a professionally made movie, the inevitable “creature in the shower” scene would have featured a gratuitous view of a buxom horror starlet, half heartedly struggling as the beast lingers long enough to make sure the audience sees where the budget went. And maybe the Bros would have preferred such a scene in Hallucinations, but the seedy glimpse of John bare in the shower during the attack again furthers the discomfort and enforces the existence of the films own reality. This scene fits the narrative of the film and  furthers the story in a way that a purely exploitative female shower scene would not.


In addition to the unforgettable creatures, some impressive gore effects make a splash on screen. Of particular note is a scene in which Mark has his chest charred with a blow torch before being poked with a machete, yielding expectedly gruesome results. The chest piece, a latex creation, is thoroughly convincing, and their enthusiasm in creating the effect shows. In a scene that would later be recycled in the original cut of Splatter Farm, John vomits up an impressive length of intestine before excreting a knife straight into the toilet bowl. Close up shots of John clutching at his blood drenched tighty whiteys never fail to make underprepared viewers squirm. The sticky, goopy, and, uh, intimate nature of such scenes add something to this movie not found in a “traditional” low budget flick or less adventurous amateur affair.


After suffering their individual nightmares, the three boys reconvene and encounter, in Mark’s own words, a “low rent poltergeist” (harsh but fair) as clocks spin, lights flicker, cabinets open, and pillows fly through the air. Mark and Todd encounter an amusing demon-type entity; sort of a discount store Freddy in an Adidas jumpsuit. Once these episodes begin, the movie only escalates, until the boys battle a slew of creatures in the climatic confrontation.


The films final shot is surprisingly effective. Mark and John have survived the horror and embrace, leading to a shot of a childhood photo of the two. After a brief pause, a knife rips through the back of the picture, coming directly between the brothers, slowly creating a rift between them. Now that’s some symbolism for you! This is just one example of the supernatural elements of the movie that elevate it above the expected notions of the Friday the 13th clones one may expect to see from excitable teen filmmakers.


As I alluded to earlier, part of my enjoyment of Hallucinations stems from the feeling that the movie captures a moment in the lives of the people on camera beyond the characters they portray. The movie was shot over a winter break, and the film almost feel like it unfolds in real time, with its shooting schedule not that far off. Mark Polonia has stated that there was little more than an outline for the movie when they started shooting, and it was essentially shot in sequence, the events of the film were as much a mystery to its creators as its characters! I think that certainly is what gives Hallucinations such an immediate, rewatchable enjoyment. I reached out to Mark for his comment on the movie, and he had this to say: “It’s an accidental classic! Surreal, shocking, and unbridled. A small step into the Polonia Brothers pool”.


With all I’ve rambled on, I’m still not sure I’ve clearly explained my love for Hallucinations. It’s certainly near the top of my most watched Polonia pictures. Perhaps the reason I enjoy it so much is so simple that it makes it difficult to explain. Three teenagers wanted to make a movie, so they did. That simple. Here, decades later, I’ve purchased the movie three times over on three different home video formats. Still, a movie like Hallucinations probably isn’t for everyone. There’s enough gore to scare off some. I know the words “shot on video” are enough to send some cinephiles scrambling back to their Criterion collections. And I’ll admit, this is quite literally a home movie. However, Hallucinations is full of everything I love about movies, and filmmaking as art. The movie was made because those involved LOVED movies, not because it would make them cool, or because it would make them money, but because they simply wanted to, and the enthusiasm and effort is undeniable.

In 1986, Mark and John Polonia made a movie for very little money, mostly by themselves. I’m glad they never stopped.